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The Floridian Brings Fresh New Ideas to Old Town St. Augustine, Florida

16 Apr

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On our return trip from Palm Beach, we decided to take an alternate eastern route and spend the night in the historic city of St. Augustine. It had been decades since my last visit, so it all seemed new again to me. St. Augustine remains a striking town with equal parts Savannah, Mobile, and Charleston. Southern, check. Close to the water, check. Chock full of history and stunning architecture, check. What perhaps sets it apart a bit is the distinctive Floridian vibe. Palm trees and Spanish tile everywhere. And that, my friends, is where The Floridian comes in.

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The Floridian’s delivery bike — spic and span and ready for action

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The hours are kind of complicated — the concept is not

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Classic Old Florida kitsch can be viewed & enjoyed throughout

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They do tasty sweets here too — this one nutty and delicious

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This Gator painting was lurking over my shoulder all evening long

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Great, fresh menu — I opted for the unique Florida Sunshine Salad

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Drinks are served up in an old-fashioned yet timeless Ball Mason jar

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The Dining Room is a combo of soft pastels and fish camp ambiance

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The bar is cool – and diners must visit if you choose to imbibe

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The Floridian’s thrift store sensibility is charming, for sure

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Few details are overlooked here. Even the floor looks terrific!

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 I started my meal by ordering the Grit Cakes. This take was especially unique thanks to the inclusion of a spicy chili-cumin aioli and a seasonal salsa highlighted by small cubes of roasted sweet potato. A Wainwright Cheddar is also employed, giving the appetizer a true diversity of flavors and textures. There was a lot going on here, but it all managed to work just fine.

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My son’s po-boy with fresh Pork Sausage and Fried Green Tomatoes

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Behold (above) the Florida Sunshine Salad. It is a feast for the eyes and the belly. Look at those vibrant colors! Look at those plump Florida shrimp! Look at those BEETS!!! Hey, how often do diners actually get fired up about beets? Not very often, I can tell ya that. But you know what? They are the star of the show in this daring dish. If your only experience with beets involved a glass jar, I strongly suggest you reintroduce yourself to fresh beets. There is a BIG difference. Great texture with natural flavor that is often diminished during the normal pickling process. Fresh Plant City (FL) strawberries are also invited to the party, as are large chunks of blue cheese from Thomasville, Georgia’s Sweet Grass Dairy.

The inventive cuisine served at The Floridian is Southern-inspired … to a degree. More importantly, they are using farm fresh ingredients that spotlight the best natural bounty that the Sunshine State has to offer. The atmosphere is winning and the staff hip and helpful. If you’re looking for touristy, this ain’t your place.  

It’s not exactly vegan, but it’s close.

And it’s a smart choice for those ready to take a step beyond fried seafood.

So come tour The Floridian — where fresh flavors coming shining through.

Consider it a vacation for your palate.

The Floridian – 39 Cordova Street, St. Augustine, FL

(904) 829-0655; www.thefloridianstaug.com

The Zombies’ Biloxi Performance Produces Magical Moments

10 Mar

Zombies

“The Zombies Live” — a bit of an oxymoron, right? Or maybe a title of an upcoming horror film? I’ll tell you what I call it: A damn good time! These guys (leaders Rod Argent and Colin Blunstone, by name) have been at it since 1961. Their first charting hit came along in 1964.  And you know what? They still sound great. Sure the lads have aged a bit. And maybe picked up a pound or two since the dashing portrait above was snapped. Some called them nerdy — some called them art school geeks — I have always dug them. They were always thinking a step ahead of their musical peers and that did not always translate into commercial success.

zombies hrc

The Hard Rock Casino – Biloxi is where it all went down

zombies sign

Our tickets to this Thursday night Zombies show at the Hard Rock Casino were just $25 each plus tax — and the seats were superb. Probably about 10 rows back and just a tad left of center stage. I didn’t really want to be much closer. At the risk of sounding like an old fart, it can get a little loud up there sometimes.

zombie LP

The average Joe might be hard pressed to name a single song by The Zombies. Time of the Season could come to mind … as it should. That recording, in my world, ranks right up there with The Beatles best work. The casual music fan of a certain vintage probably remembers tracks like Tell Her No and She’s Not There — and most likely Argent’s big solo smash Hold Your Head Up. The more hardcore vinyl junkie like your’s truly can go much deeper into The Zombies’ highly underappreciated catalog. I, for one, would be hard pressed to stop at 20 or so songs. They were indeed that special. Especially when further incorporating Rod’s time with Argent and vocalist Colin Blunstone’s solo recordings (check out his breathy Caroline Goodbye for starters) and stellar session work with the Alan Parsons Project (see Old and Wise for beginners).    

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The view from our seats (above) at Hard Rock – a steal at $25 + tax

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A signed CD was my souvenir for the evening

The Zombies masterpiece (often discussed in the same hushed tones as Sgt. Pepper’s, Pet Sounds, and Love’s Forever Changes) is their Odessey and Oracle album. It may have only included one chart hit (the soaring Time of the Season) but it is laden with innovative, quirky, and ultimately unforgettable tunes. The themes can be somber (A Rose for Emily) and downright bizarre (Care of Cell 44). This is an album that grows on you — and then stays with you forever. I can’t recommend it enough if you consider yourself a fan of The Beatles, Beach Boys, Moody Blues, The Kinks, or Pink Floyd. I’m pretty sure you will enjoy it. Critics rave about it and it is often cited as one of the Top 100 LPs of all time. Rolling Stone ranked it #80 in their Top 500. How ’bout them apples???

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If you ever get a chance to see The Zombies in concert, don’t miss them. Rod and Colin work incredible magic together. Argent can still bang on the keyboards like nobody’s business and Blunstone remains, to my ear, one of rock’s great voices. They play a great mix of the old and the new — and both founding members get plenty of time to bask in the spotlight. When they broke into Time of the Season (easily one of my all-time favorite songs), my wife Eileen and I were grinning from ear to ear. By the time the song reached its crescendo, I could have sworn our feet were floating about a foot or two off the ground. It was the same magical feeling I experienced when I first heard Booker T and the MGs perform Green Onions in person. Or the time I saw Tony Joe White singing Polk Salad Annie. Or the time I experienced the great Roy Orbison bring the crowd to its collective feet with a live take on Running Scared. It was indeed one for the ages.

Thank you, Rod and Colin. LONG LIVE THE ZOMBIES!!!

And just in case you boys ever wonder if all the bad meals, hotels, and travel are worth it, it is. Trust me … it really is.

You are making the world a brighter, more joyful place.

And what could be more rewarding than that?

Bozo’s Seafood Market & Deli in Pascagoula, MS Doesn’t Clown Around

9 Mar

Bozo front

Bozo’s Seafood Market and Deli has been around since 1956 — that’s longer than I have been around. But as my Granny Justice often said, “Old school is GOOD school.”  That is most definitely the case at Bozo’s — they don’t clown here. Every coastal community should have such a go-to seafood dive. Sadly, few compare to the almighty Bozo!

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When you’re ready to order, step right up to the little card table near the back of the dining room. A gentleman seated there will take your order and jot it down (along with your first name) on a basic white paper lunch bag. The sack is then flipped back to a red headed woman toiling away in the kitchen. The line to order was pretty short when we arrived mid-afternoon. But we’re told that lines at lunchtime can sometimes stretch all the way back to the front entry. After more than a half century of business, Bozo’s is anything but a secret in these parts.

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Okay, folks — now THAT’S a Muffaletta!!!

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Pork Cracklins are a popular side item at Bozo’s

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Zapp’s Chips are terrific — and Bozo’s has you covered

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Take a gander at this mouth-watering Shrimp Salad – amazing!

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Eileen and I split a Fried Shrimp Po Boy and, as expected, it was awesome. The shrimp were plump, fresh and right out of the fryer. We ordered ours “fully dressed” and added just a splash of Tabasco before rolling up our sleeves and digging in. This decent sized, overstuffed sandwich was just $6.99. That’s a very fair price when you consider the price of fresh seafood these days. If you’re really hungry, I’d like to suggest the Shrimp Overload — a footlong po-boy stuffed with 1 1/2 pounds of fried shrimp for just $13.99. Now that’s a MEAL! If you’re more of an oyster person, try the Oyster Box with a dozen fried bi-valves, French fries, onion rings, and hush puppies for only $8.99.  

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This custom table is perfect for shelling shrimp or crawfish

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A painting of a local fisherman (above) tells the story at Bozo’s — it’s fresh off the boat here. And it is a working man’s joint. The portions are generous and the prices more than fair. What more could you ask for? Well, besides Bozo’s opening a location in your neighborhood. They really don’t clown around here, but you will leave with a big, messy smile on your face.

Bozo’s Seafood Market & Deli -

2012 Ingalls Avenue, Pascagoula, MS 39567

(228) 762-3322; Mon-Sat 8-8; Sunday 8-6

Exotic Treats Await at Biloxi’s Vietnamese-Inspired Le Bakery & Cafe

9 Mar

le bakery sign

A Facebook friend of mine tipped me to this place recently. I was in Biloxi for the afternoon and we had already enjoyed lunch, but we dropped in at Le Bakery & Cafe just before their daily closing time (5 pm). It was clear right away that this was not your typical Parisian-style bakery.  This is a French bakery and cafe with a decidedly Vietnamese twist. The seafood industry (primarily shrimping) brought many Vietnamese families to this area. A brief  tour around Biloxi makes that quite evident.   

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Just look at the picture above. How often do you find that in Paris?

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The image above is just a sampling of the exotic treats you’ll find here at Le Bakery. The item to the far right was particularly interesting to me. It looked something like a homemade Hostess Twinkie with an accompanying white, milky dipping sauce. I was curious and had to try it. The young Vietnamese man working  behind the counter explained that the soft, spongy pastry encased a slab of moist banana. The sauce was even more complicated. A closer look revealed something very mysterious — scary even.

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It looked like little tiny eggs — bubbly, clear pellets. The Vietnamese can eat some weird stuff and my mind was taking me in some strange directions. It turned out I was looking at Vietnamese Pearls of Tapioca. Yup, you can look it up — that’s what I did. The soupy white sauce was coconut flavored and quite delicious. The “pearls” were somewhat sweet and the rubbery texture was simply bizarre. That was the most difficult part for me — the “mouth feel.” Otherwise I found this dessert to be really sublime and satisfying. This wasn’t just an afternoon snack — this was a culinary adventure.

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As we departed, the employee urged us to view this colorful mural (pictured above) on the side of their cinderblock building. Glad we did — it’s a cool, colorful piece of work. So is Le Bakery & Cafe. I already want to return for lunch so I can sample their locally famous French Vietnamese-Style Po Boys (aka Banh Mi). Little places like this are community treasures for the folks who live nearby. For visitors to the casinoland of Biloxi, Le Bakery & Cafe is a gamble worth taking. Roll the dice and prepare to be surprised.

Le Bakery & Cafe – 280 Oak Street, Biloxi, MS 39530

(228) 436-0850; www.facebook.com/LeBakeryBiloxi

“The Best Album Otis Redding Never Made”

2 Mar

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I have always loved the voice of Otis Redding. Who doesn’t, right? So much soul and feeling. So raspy and unique. More of a song stylist than a true singer. He could scream and shout with the best of ‘em, but his talents were perhaps best on display when he performed a slower ballad. That is especially true when the ballad tackled the topics of pain, loneliness, heartbreak or sorrow.

The cover looks like an old, time-worn LP cover. The cover art fits within the time period. Yet this is a completely new collection being released for the first time. Cool concept — and it works. The album is a mix of the familiar and the unfamiliar. The original songs and a few alternate versions. Some Redding penned originals and compositions by the likes of Eddie Floyd and Lloyd Price.

Most all the cuts here click. Those that don’t on all levels still demand your attention and curiousity. An example of the latter would be the alternate take of “I’ve Got Dreams To Remember.” There are a few awkward key changes that can be hard on the ear, but the feeling and emotion is still very much there. The backing band (Steve Cropper, Booker T and the boys) seems to be experimenting — trying to find their way at times on this take. I’m guessing that is why this version is subtitled “Rougher Dreams.” You can understand why this rougher take didn’t make the original record back in the late 60′s.  

On the other hand, the alternate version of “Open the Door” is simply killer stuff. Subtitled “Skeleton Key Version,” this one delivers the goods in the best Redding tradition. The 2:29 slow burn comes complete with door knocks and goosebump-inducing blasts from the mighty Memphis Horns and Booker T’s Hammond B-3. The collection closes with the hopeful “My Lover’s Prayer” — long one of my favorite Redding performances. It leaves you wanting more, so don’t forget to punch that REPEAT button. This makes for ideal late night listening.  

Turn the lights down and the volume up.

You’ll find plenty to like about this new addition to Otis’ legendary catalog.

LOS ANGELES, Calif. — Otis Redding’s Lonely & Blue: The Deepest Soul of Otis Redding could pass for a title Stax/Volt might have released in the late ’60s. The look of the album reflects Stax’s design themes of the era. But in fact it’s a collection that never existed, until now, that homes in on one mood and one theme —heartbreaking, yearning ballads — of which Redding had many. The album will be released as a CD and blue vinyl LP on March 5, 2013 on Stax Records through Concord Music Group.

Lonely & Blue: The Deepest Soul of Otis Redding contains the hits (“I’ve Been Loving You Too Long,” “These Arms of Mine,” “My Lover’s Prayer,” “Free Me”) alongside many lesser-known songs (“Gone Again,” “Open the Door,” “Waste of Time,” “Everybody Makes a Mistake,” to name a few). They’re all included in this compilation because they share the tangled theme of sorrow.

According to compilation producer David Gorman, “Given how nobody delivered a gut-wrenching sad song like Otis, I always felt he should have made an album you could put on late at night and settle into with a glass of something strong. The mood and the subject of every song is the same — Otis, heartbroken, and begging for love. I tried to find the saddest most potently heartbreaking songs he ever sang, with no regard for chart position or notoriety. There are a few hits on the album, but they’re there because they fit the mood, not because we wanted to include the hits.”

For instance, an alternate version of “I’ve Got Dreams To Remember” features lyrics that are darker and tell a more personal story than the better-known hit version. Little-known tracks like “Gone Again” and “A Waste of Time” are given the same weight as “I’ve Been Loving You too Long.” The motif of love is even subtly addressed in the sequencing, the album closing with “Send Me Some Lovin’” and “My Lover’s Prayer.”

The concept of Lonely & Blue: The Deepest Soul of Otis Redding plays out in the packaging as well, which was intentionally designed by Gorman to look as if Redding actually did put this album out at the height of his career. The typography, color palette, and layout are all meant to adhere to the Stax/Volt LP designs of the time. This extends to the liner notes, which are written in the present tense and credited to a fictitious DJ so that they read as if they were written while Redding was alive at his peak.

“The goal,” explains Gorman, “was to create the best album Otis never made and ‘reissue’ it in 2013 rather than do another hits compilation. We hope this album will reframe him as something more than an oldies radio staple and become his Night Beat (a classic 1963 Sam Cooke LP) — the album that exists as a starting point for people wondering why so many consider Otis Redding the greatest soul singer of all time.”

Track Listing:
1. I Love You More Than Words Can Say
2. Gone Again
3. Free Me
4. Open the Door [Skeleton Key Version]
5. A Waste of Time
6. These Arms of Mine
7. I’ve Been Loving You Too Long (To Stop Now)
8. Everybody Makes a Mistake
9. Little Ol’ Me
10. I’ve Got Dreams to Remember [Rougher Dreams]
11. Send Me Some Lovin’
12. My Lover’s Prayer

Roman Chewing Candy – A Longstanding New Orleans Tradition Rolls On

2 Mar

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The Roman Chewing Candy cart has made its rounds in New Orleans since 1915. Yes, I said 1915! NOLA is an old city (at least in US terms) and this is one of the city’s oldest culinary traditions. The cart, as you can see above, has seen its share of wear and tear. But like most things New Orleans, the cart’s worn and weathered look makes one more than a bit nostalgic for the “good old days.” And yes, this is the original cart fashioned by New Orleans wheelwright Tom Brinker in 1915. Amazing. Many cities bulldoze or bury their past. New Orleans celebrates theirs. God bless ‘em for that.

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We recently encountered the cart at the Crescent City’s wonderful Audubon Zoo. Eileen and the boys promptly called me with the good news. I urged them to take a few pics and bring back an assortment of the gourmet taffy. The price of the taffy has gone up a bit since it was first offered for 5 cents per stick by the Cortese family back in the day.

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 You can now purchase three basic taffy flavors (Vanilla, Chocolate, and Strawberry) for $1 per wax paper wrapped stick, 6 sticks for $5, or $10 for a full dozen sticks. The candies are handmade on the cart each day and they are not, like many of today’s confections, overly sweet. Personally, I prefer the vanilla.

You can now track the Roman Candy cart’s day to day location via Facebook.

You can also purchase by mail by ordering at http://www.romancandy.gourmetfoodmall.com

In the immortal words of Jackie Gleason, “How sweet it is!”

Roman Candy Company – 5510 Constance St., New Orleans, LA 70115 

(504) 897-3937; romancdy@bellsouth.net

http://www.facebook.com/pages/Roman-Chewing-Candy-Co/124215977625950

A Weekday Lunch at Sprayberry’s BBQ in Newnan, Georgia

2 Feb

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Sprayberry’s is a longtime stalwart of Southern BBQ. They have been around since 1926, so staying power is one of their strong suits. Country music star Alan Jackson once waited tables at Sprayberry’s. There are 2 locations now (both in Newnan, GA). We hit the Jackson Street location several years back and enjoyed it. This time we were traveling from Atlanta back to Mobile, Alabama and our timing was just right. We arrived just before noon — beating the lunch rush.  

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We were promptly seated in the spacious dining room and handed large tan menus (see the 2 images above). I immediately noticed the Lewis Grizzard Special (details shown on photo above). The late Grizzard was a popular Southern humorist who is still something of a folk hero in these parts. I owned a couple of his comedy tapes and sometimes read his column in the Atlanta Journal Constitution. He was a funny man with a hearty appetite for Dixie-style chow, so this BBQ combo is a fitting tribute.

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I wasn’t feeling up to onion rings, so I ordered the Chopped Pork Sandwich with a side of Brunswick Stew and a Sweet Tea with Lemon. My sandwich came with fresh chopped slaw (lacking the usual heavy mayo), a few pickle slices, and a small cup of Sprayberry’s singular BBQ sauce. It’s kind of a thin, vinegar-based condiment — not too different than sauces you find in Eastern North Carolina. The sandwich was quite tasty — lean, smokey swine paired with crunchy grated cabbage and the peppery tang of the sauce.

sb stew

I consider myself a bit of a Brunswick Stew aficionado, so I braced myself to be disappointed when I first viewed Sprayberry’s mushy concoction (see above). Virginians and Georgians have long debated about which state bubbled up the very first Brunswick Stew. I am not here to argue that point at this time. I will say that I am more accustomed to a stew with more texture. Kernals of sweet yellow corn, visible strands of meat (most often chicken), tiny green butter beans, etc. Sprayberry’s Stew looks more like baby food, but I am pleased to report that it is suitably flavorful. I added just a sprinkle of salt and a tiny splash of Tabasco. You could drink this stuff through a straw. I elected to utilize the more traditional spoon.

Sprayberry’s has stood the test of time for a reason. The food is good. The pricing fair. The service swift. Convenient access from the interstate. All in all a positive Dixie Dining experience. So if you find yourself motoring between Auburn, Alabama and Atlanta, Georgia, please do give ‘em a try. It’s right on the beaten path, but worthy of your time and palate even if it was not. Skip the fast food options and treat yourself to a taste of Georgia culinary history.

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Sprayberry’s BBQ –

Hwy. 34 @ I-85, Newnan, GA (770) 253-5080

229 Jackson Street, Newnan, GA (770) 253-4421

www.sprayberrysbbq.com

For more reviews of Southern food, please visit our web site at www.DixieDining.com

Rick Nelson & Mark Lindsay – Former Teen Idols Return with New CD Collections from Real Gone Music

8 Apr

Most of us 50 and over types remember Paul Revere and the Raiders. We also remember the 1970 smash “Arizona.” A singer by the name of Mark Lindsay was the voice behind most of those hits. Just Like Me, Good Thing, Steppin’ Out, Hungry, and Kicks were all solid rockers — driven in part by Lindsay’s snarling, cocksure vocals. Mark had plenty of swagger in those days. But he also had a sensitive side. That side of him didn’t fully emerge until he embarked on his solo career in 1969.

Casual music fans may be hard pressed to name any of Lindsay’s solo tracks after Arizona. He never gained much traction after that initial success. However, this new collection reveals that Mark recorded several near misses that are worthy of being heard today. His success with the Raiders put him in touch with some of the industry’s most talented songwriters and session players. Tim Hardin, Jimmy Webb, Jerry Fuller, Sonny Curtis, David Gates, Burt Bacharach, and the storied team of Mann/Weil all contribute songs in this 24 track compilation. Lindsay even wrote a few himself — including the memorable “Man from Houston.”

Mark Lindsay’s versatility is evident on songs like Reason to Believe, Miss America, Been Too Long on the Road, and Small Town Woman. He at turns evokes comparisons to everyone Gary Puckett and the Grass Roots to B.J. Thomas and Blood Sweat and Tears’ David Clayton Thomas. It certainly caused me to re-think my earlier position that Lindsay was a dime a dozen 60s garage shouter. This guy could really sing! But don’t just take my word for it. Have a listen for yourself – we think you’ll be impressed.

After a spectacularly successful stint as the lead singer and saxophonist for Paul Revere and the Raiders, Mark Lindsay commenced a solo career for Columbia that cemented his reputation and legacy as one of the truly great pop-rock singers of the ‘60s and ‘70s.

Now, for the first time, all of his singles for the label—plus an unreleased track, a stunning version of Tim Hardin’s “Reason to Believe” that was originally slated to be one side of Mark’s first solo single—have been collected on to CD in one place in chronological order and in their original commercial format (which means mono on the first five tracks, stereo on the rest). Most of these original single mixes have never appeared on CD before.

The accompanying booklet features photos from Mark’s private archive, and liner notes by Ed Osborne that feature interviews not only with the artist himself but also with Jerry Fuller, Artie Butler and Tom Bahler, all of whom worked on these singles.

Spanning his entire solo career with Columbia, carefully mastered by Vic Anesini at Battery Studios in New York, and representing his finest work for the label, these recordings render all other Mark Lindsay solo collections superfluous.

Reason to Believe (Previously Unreleased); First Hymn from Grand Terrace; The Old Man at the Fair; Arizona; Man from Houston; Miss America; Small Town Woman; Silver Bird; So Hard to Leave You; And the Grass; Won’t Pay No Mind; Funny How Little Men Care; Problem Child; Bookends; Been Too Long on the Road; All I Really See Is You; Are You Old Enough; Don’t You Know; Something Big; Pretty, Pretty; California; Someone’s Been Hiding; Mamacita; Song for a Friend; Photograph

I have long been a fan of Rick(y) Nelson. Some consider him a lightweight. Others write him off as a teen idol who solely benefited from his parent’s show biz clout and endless TV exposure on the hit show, “The Adventures of Ozzie and Harriet.” I beg to differ. Nelson had a pleasing voice and delivery, surrounded himself with great musicians, and consistently displayed a great ear for quality material and winning arrangements.

Never one for relying on his past success, Nelson was always looking forward. This caused friction between Rick and some diehard fans and eventually led to the writing and recording of the biting song “Garden Party.”  Just listen to “Change Your Mind” on this collection. It is a far cry from Be Bop Baby — that’s for sure. Or check out Nelson’s unique arrangement of the Arthur Alexander pop standard “Every Day I Have To Cry Some.” This is certainly not an artist resting on his laurels.

I really enjoyed this collection — especially the Al Kooper produced tracks on “Back to Vienna.”

Rick Nelson’s short, late-‘70s tenure at the Epic label was an exceptionally creative and productive period for him, but you wouldn’t know it by what has been released, especially in this country. He recorded three albums’ worth of material, but only one, 1977’s Intakes, was released during his lifetime; the tracks he laid down the next year met a much less kind fate.

The first, the Al Kooper-produced Back to Vienna, was never released as an album at all; the next, originally titled Rockabilly Renaissance, a startling return to his rockabilly roots and a forerunner to the cow-punk and alt-country movements to come, was released in 1986, the year following his death, in watered-down, overdubbed form as The Memphis Sessions. Some of the unreleased material leaked out on the 18-track 1993 CD release Stay Young—the Epic Recordings, but much of his work for Epic remained buried in the vaults—witness the fact that 11 of these 41 tracks see their first American release right here (and another 12 tracks make their American CD debut)! In fact, NONE of these three albums has ever been on CD in this country, and, even better, Memphis Sessions has been remixed under Richard Weize’s supervision to eliminate the posthumous studio dubbing that adulterated Rick’s original vision. Produced and annotated by renowned Rick Nelson expert James Ritz and featuring photos from the period, Rick Nelson: The Complete Epic Recordings offers a long-overdue look at a neglected period of a true rock legend’s career.

DISC ONE: INTAKES LP SESSIONS

1. You Can’t Dance; 2. (Love Is) Something You Can’t Buy; 3. I Wanna Move With You (1st US CD Release); 4. Five Minutes More; 5. Gimme Little Sign; 6. Stay Young; 7. Wings; 8. It’s Another Day (1st US CD Release); 9. One X One; 10. Change Your Mind (1st US CD Release)

BACK TO VIENNA SESSIONS

11. Everyday I Have To Cry Some (1st US Release); 12. Love You So (1st US Release); 13. Chump Change Romeo (1st US Release); 14. What Is Success (1st US Release); 15. Carl Of The Jungle; 16. No Words Of Love (1st US Release); 17. New Delhi Freight Train; 18. Mama You’ve Been On My Mind; 19. Getting it On (1st US Release); 20. Conversation

DISC TWO: ROCKABILLY RENAISSANCE (aka MEMPHIS SESSIONS)

1. That’s All Right Mama; 2. Send Me Somebody To Love; 3. Stuck In The Middle (1ST U.S. Release); 4. It Shall Remain (1st U.S. Release); 5. It’s All Over Now (1st U.S. Release); 6. Lay Back In The Arms Of Someone; 7. That Ain’t The Way Love’s Supposed To Be; 8. In My Heart (1st U.S. Release); 9. Almost Saturday Night; 10. Dream Lover; 11. True Love Ways (1st U.S. CD Release); 12. Sleep Tight Goodnight Man (1st U.S. Release); 13. Rave On; 14. Dream Lover (with conga overdub) (1st U.S. CD Release); 15. Send Me Somebody To Love (alternate mix) (1st U.S. CD Release); 16. Lay Back In The Arms Of Someone You Love (alternate version) (1st U.S. CD Release); 17. Almost Saturday Night (alternate version) (1st U.S. CD Release); 18. Rave On (alternate version) (1st U.S. CD Release); 19. Lay Back In The Arms Of Someone You Love (EP version) (1st U.S. CD Release); 20. Almost Saturday Night (EP version) (1st U.S. CD Release); 21. Rave On (EP version) (1st U.S. CD Release)

Our Dixie Dining Book Close to Being a Reality — You Can Help Here!

6 Dec

Our book is just about ready for publishing, but we need your assistance to complete the project.

Please click on this link and learn more … and THANKS A MILLION!

http://www.kickstarter.com/projects/401662102/dixie-dining-touring-the-souths-best-homestyle-res

Our New Libations of Choice in “The Old Dominion” of Virginia

4 Nov

I was determined to sip some good local libations during my recent trek to Virginia. I spotted this six-pack (above) at Leesburg Vintner in historic downtown Leesburg. Nice little shop. Port City Brewing’s Monumental IPA is precisely that … monumental. Some might say “epic.” Really enjoyed it.

Port City’s IPA is a full-flavored brew. Not for the feint of heart. I personally like my beer with a little character and this variety certainly fits the bill. I shared the six with my two brothers and all parties agreed it was an excellent choice. Virginia has developed a pretty good history of winemaking. That history goes back to the days of Thomas Jefferson. Vineyards and wineries continue to thrive in the gentle hills surrounding Tommy’s Monticello. But you may also know that our forefathers were equally interested in making fine home brew. George Washington was very much into this, so it makes sense that a brewing tradition be reborn in The Old Dominion. Does my heart good to share this news with you.

I learned a few years back that legal moonshine was being sold in Virginia. It’s obviously not shipped across state lines or taken on board aircraft. So it took my recent visit home to introduce me to the many wonders of Virginia Lightning. I had sampled a little moonshine before, but it was the bootleg stuff (from the mountains of Western NC). It was OK, I guess. But it really required the addition of a mixer of some kind (in my case, apple cider) to make it truly enjoyable. This is not the case with Virginia Lightning. Distilled by the folks at Belmont Farms in Culpeper, VA, this small batch shine is smooth and, to my surprise, quite sweet.

The graphics of each bottle of Virginia Lightning add to the product’s folksy charm. Yet this is serious stuff. The flavor reminds me a bit of a fine Schnapps. The price is right too at about $14 per bottle. It imparts that familiar warm “burn” as it works its way down your gullet. It would be a perfect evening warm up on a cold winter’s day.  I might even prescribe it for the occasional medicinal purpose. Of course, I am not a doctor … nor do I play one on TV. I am not an alcoholic, either, so I was not able to finish off my fifth of corn whiskey over the course of my brief 4-day stay with my parents. This produced a windfall for my younger brother Mark, who gladly inherited the hooch once I jetted back to Alabama. My loss, his gain.

Port City Brewery – 3950 Wheeler Ave., Alexandria, VA

(703) 797-2739; www.portcitybrewing.com

Virginia Lightning – Culpeper, VA; www.moonshine.com

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